"The fragment of knowledge gathered after centuries of living and in how simple it is to create believable facts where there are none is staggering. The art of the half-truth can alter the perception of the past or the future. History becomes a fluid construct that is easily bent, depending on the sources used or in the ability to establish authority.
…and with the ever increasing reduction of information due to short attention spans, brief media bytes and the loss of the library’s influence allows for a more rapid spread of misinformation in the guise of truth. The gray area between truth and fiction is my playground. The works created are a grouping of truths and half-truths based on parallel research of ancient civilization, fin de siecle and contemporary attitudes in a vicious effort to create newer truisms over and over again until they become a new history of the world."
- Douglas Cason
audience gratification creating a loosening or even complete abandonment of social restrictions and reticence that would otherwise be present in traditional face-to-face interactions. The notion of “You don’t know me” equates to simple anonymity. Anonymity affords a sense of protection, and feeling protected provides an individual with a virtual playground allowing for a meaningful release. The release may be as simple as making a comment that would otherwise be
embarrassing in a conventional interaction, or as complex as an outlet for sexual fantasies. Certain release-seekers photograph themselves in the mirror or with their own extended arm striking seductive poses in scant clothing. These studies in particular are the focus of my Zepeda paintings. The women depicted show a complexity of character in an easily dismissed, attention deficit fed forum. The need for the subject to photograph herself, rather than trusting another individual to assist her may suggest the woman’s distrust of a flesh and blood world, finding the virtual world more accepting and forgiving. Contrarily it may point to an isolation that previously existed, and a need for attention that has not been gratified with real human contact. The isolation apparent in each of these photographs is compounded by inattention for the setting or quality of the
photograph. Neglected environments made of dirty laundry, unmade beds, empty food containers and flashes from the camera share the scene in a large collection of these on-line photos. The disheveled environment casts a light on the women’s detachment from the material world, and lack of interest in her daily drudgeries. The anticipated adoration waiting online preempts in importance the need to care for home.
- Douglas Cason as Zepeda
"In an effort to connect the contemporary art of major, metropolitan areas to the
traditional decor of rural homes, Douglas Cason created the identity of the
Reverend Wayne to engage with the familial memorabilia, steeped in tradition
and often passed down through generations in these homes. The resulting
artwork is a process-oriented transformation that bends the original purpose to
one of a more modern aesthetic."
- Douglas Cason as Reverend Wayne